Years ago, I saw a beautiful 1930s vintage, midnight blue velvet dress on Ebay. I lost the ensuing bidding war, much to my disappointment. Since then, I’ve been on the hunt for the perfect velvet dress, and at last I’ve found it. This frock by Katya Dobryakova is from The Place London, a brilliant boutique on Connaught Street. I love the classic Stevie Nicks vibe, and the sumptuous fabric is very comfortable. I’ve styled the look with a vintage belt and an old pair of boots from Topshop (similar here and here). The Place London is my favourite new shop, I’ll be writing more about this later in the week.
I like to make recommendations on this blog, and I would have happily endorsed this dress from Topshop. However, it shrank in the washing machine; the instructions said to wash at 40°C, I washed it at 30°C. This was a shame, as I loved the ruffles and the gold thread running through the fabric. The folks at Topshop refunded my money without question and apologised for the inconvenience. The dress is featured in their AW16 campaign and it’s already sold out. To anyone who owns this frock, I suggest hand-washing in tepid water with a delicate detergent.
I recently went out for dinner with a group of friends, we had a brilliant night and I laughed till I cried. However, during a light-hearted conversation, the word ‘slut’ was bandied around. I was among people who are used to my outspoken tendencies, and they didn’t bat an eye when I protested that using ‘slut’ to describe a sexually active woman was unacceptable. Even if I’d been in less forgiving company, I would have piped up anyway, because I have come to understand the intense importance of words. The words we use shape our attitude to the world around us. The desperate souls fleeing death and persecution in the Middle East and North Africa are now called ‘migrants’, instead of the more accurate term, ‘refugees’. The vast difference between a refugee and a migrant is […]
Ethereal lightness and sports-luxe aren’t adjectives that often sit together, however Ekaterina Kukhareva’s latest collection married the two aesthetics to a lovely effect. The presentation was set against the art deco background of the Bronte Restaurant, which reminded me of a 1930s cruise liner. Entitled ‘Nereids’, after Greek mythological sea nymphs, Kukhareva’s delicate ruffles suggested undulating coral and drifting jelly fish. The pastel colour palette was punctuated with olive green and splashes of squid-ink black, which added balance to the sugary prettiness. The tailoring was slouchy and relaxed; whether it was the luxe pyjamas or the full length gowns, the collection had all the breezy whimsy of a sunny day by the seaside. The sea will be a huge trend come spring next year, and many designers made oceanic references in their collections. However, Ekaterina’s spin on the trend was unique to her elaborate, yet wearable look.
I’ve always been fond of a good boot, this season there’s a plethora of great ones to choose from. The jazzy ankle boot is a huge trend for AW16 and it’s a simple way to update a classic outfit. My personal favourite are the opulent, floral brocade beauties that are abundant right now. Feature image: TheNewPotato.com
There’s nothing quite like the pleasure of a finding bargain, this 70s vintage dress was £10 on Ebay and I’m thrilled with it. I like clothes that are just on the right side of frumpy; I love the pie-crust collar and the feather print. I’ve worn it with a pair of Mary Janes by Joanne Stoker.
I’ve been a fan of Self-Portrait since its launch in 2013; in three short years the label’s popularity has grown exponentially. Self-Portrait is now stocked at Selfridges, Net-a-Porter, Matches and ASOS, to name but a few. I’ve heard women who like Self-Portrait branded as ‘basic bitches’ by other people who work in fashion; I take umbrage with this assertion. ‘Basic bitch’ is a pejorative, sexist term which describes a female conformist who loves all things bland, including Ugg Boots, Taylor Swift and Starbucks Pumpkin Spice Lattes. The ‘basic bitch’ is a girl who is dismissed and objectified because of her taste for the popular and generic. It’s an insidious phrase which has slipped in through the back door and become a part of contemporary lingo. Although it’s often used in light hearted banter, ‘basic’ is a horrible expression and should fall into obsolescence. It’s also dripping in unintentional irony, as […]
At the moment, I like wearing different shades of the same colour. I’ve always been a fan of a pleated skirt, and despite the fact that I have many, I couldn’t resist this olive green one from ASOS. I’ve styled it with my favourite jumper from Teatum Jones‘ AW16 collection; I love the ribbed tailoring, the extra long sleeves and the cut-out details at the elbow.
One of the things I love about London Fashion Week, is having the chance take a close look at the clothes and talk to designers about their work. Judy Wu’s latest collection was a beautiful combination of sports-luxe and exaggerated femininity. Entitled ‘Curve’, Judy took inspiration from architecture that blends structure with generous arcs and contours, mimicking the female body. The pieces were beautifully constructed, with classic vintage-like tailoring, complete with nipped in waists and boxy, elegant jackets. I loved the skirts layered with petal-like layers of chiffon, that gently fluttered in the breeze. Judy’s zingy colours served as a palette cleanser, which will be most welcome come spring time. Technically, a fashion journalist should analyse a collection with cold impartiality, dissecting the designer’s work without personal bias. When I’ve written for other publications, I’ve tried to apply equitable journalistic integrity. However, when writing on my […]
Roksanda Ilincic is renowned for her use of vibrant colour and inventive tailoring. SS17 was a departure from the architectural shapes of the past, with billowing swathes of fabric marking a new direction for the Serbian born designer. The colour palette was muted, but still dynamic; Ilincic combined rusty red, ochre, blush pink, copper, sunflower yellow and purple to dazzling effect. Inventive sleeves have long been Roksanda’s calling card and this season was no exception. Beautifully draped from the shoulders, the sleeves were contemporary, yet also harkened back to the poets of the Romantic movement. The models were accompanied by a recording of pianist Lubomyr Melnyk, known for his ability to play “continuous music”. The undulating, flowing piano perfectly complimented the movement of the diaphanous clothes. Ilinicic has a gift for creating pieces that make a statement, but are still feminine and wearable. Although […]